Tag Archives: X-Minus One

Dimension X: The Martian Chronicles

Tales From SYL Ranch – 2017-06-04

Tales From SYL Ranch
Sunday, May 28, 20:00-22:00 UTC

This week, we’re taking a break from the Old Fan’s Commentary.  Don’t worry, it will return.  We’ve already got several episodes of Star Trek: The Original Series and The Animated Series recorded.  We’re holding back Superman for its 40th Anniversary. Close Encounters Of the Third Kind will be along soon.

Question Mark
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There’s also a Commentary for ▥▥▥▥ ▥▥▥▥ ▥▥▥▥ ▥▥▥▥▥ ▥▥ ▥▥▥▥ ▥▥▥▥ ▥▥▥ ▥▥▥▥▥ coming up.  We’ve no idea when.  We’re just making it up as we go along.

The Hitchhiker’s Guide To the Galaxy returns after a two-week hiatus.  It’s S02E03 of Zaphod Beeblebrox‘s psychotic episode.

Otherwise, we’re going full Old-Time Radio with a Martian twist.

Ray Bradbury
Ray Bradbury

We’ve also gone a with decidedly Ray Bradbury emphasis.  Two shows are adaptations of The Martian Chronicles.  The third is an experimental 1973 re-mounting of X-Minus One.

The tracklist for the week:

Setting the Stage
Times Square At Night, 1950
Times Square At Night, 1950

The earliest episode, “The Martian Chronicles,” originally aired on August 18, 1950.

In 1950, nothing we’ve come to take for granted existed.  There was no entertainment of the kind we’ve come to expect.  There was radio, movies … and that was all.

Audio recordings were unknown because the only reel-to-reel tape recorders were physically huge and prohibitively expensive.

The only computers in existence were the size of warehouses.  The phone in your pocket can do more, and billions of times faster.

Typical 1950 TV signal.
Typical 1950 TV signal.

Television was a nascent industry, and entirely black-and-white.  Some homes had TVs, but never more than one.  They produced a grainy, low-definition, analog, broadcast-quality picture.  The signal could be destroyed by all manner of nearby electromagnetic activity.  Running the vacuum cleaner would obliterate the picture.  Nearby storms would do the same.  If you were too close or too far from a station’s transmitter, the picture would become filled with static.

Arvin Table Radio, Model_480-TFM
Arvin Table Radio, Model_480-TFM

Radio was king, however it suffered from the same problems as television.  Sound quality would be unacceptable by modern standards.

As with modern television, networks provided shows to local affiliates.  These shows were exactly the same as today’s TV.  There were news programs, daytime soap-operas, dramas, situation comedies, cop shows, detective shows, and science fiction.  They had similar stories, told through sound rather than video.

There were advertisers as there are today.  In two of Sunday’s episodes, the advertisements are included.  You’ll immediately recognize one sponsor that’s still in business.

Of science fiction, there were two undisputed kings:  Dimension X and X-Minus One.

Dimension X aired 50 weekly episodes from April 8, 1950 to September 29, 1951.  X-Minus One aired 126 weekly episodes from April 22, 1955 to January 9, 1958.

X-Minus One Advertisement
X-Minus One Advertisement

X-Minus One was essentially a re-mounting of Dimension X with many of the same production personnel.  One can almost speak of both series in the same breath.

Both featured half-hour adaptations of the best science fiction short-stories then published, from the premiere SF magazines of the time:  Astounding and later Galaxy magazines.

Famous names include Isaac Asimov, Robert A. Heinlein, Ray Bradbury, Kurt Vonnegut, H. Beam Piper, and a host of others.  I strongly encourage you to listen to both series.  All episodes are in the public domain and are easily-accessible on the Internet Archive.

Most stories are of excellent quality.  As nearly all originate with the best authors of the day, stories hold up well and can easily be translated to modern times.

Audio quality varies.  Some episodes only survive because someone with a wire recorder captured from the radio speaker itself.  On Tales From SYL Ranch, we try and bring you episodes that survive from the studio masters.

Mars Of 1950
Mars in 1950
Mars in 1950

Until telescopes improved and probes sent to Mars, some of the best scientists of the day thought that Mars might be habitable and/or inhabited.  Until the mid-1960s, many serious science fiction stories about a habitable Mars were written.

It’s little-known, but Gene Roddenberry‘s 1965 pitch for Star Trek limited the Enterprise‘s explorations to “planets approximating Earth-Mars conditions, life and social orders.”

Arguably the the most famous Mars story is Ray Bradbury’s The Martian Chronicles.  To attempt to describe it is impossible.  We strongly recommend that you read it.

While the locale of Mars has long-since been rendered problematic, the story holds up well.  If one simply substitutes an extra-Solar Earth-like planet for Mars, the plot and story could be written today.

Chesley Bonestell's Mars Rocketpad
Chesley Bonestell’s Mars Rocketpad

Some projections of technology are also now problematic.  It’s worth noting that Bradbury predicted the Smart Home, though in a more esoteric fashion than we see today.  As always, one must remember that writers were projecting forward from 1950s technology.  They could never have dreamt of the technological wonderland of 2017.

Aside from that, one simply has to use one’s imagination a bit more.  Good Old-Time Radio shows let the listener follow the action via sound effects.  Mediocre and bad ones (with the exception of Dragnet) narrated.

The only narration Sunday is in “The Martian Chronicles.”  That’s forgivable given the impossible task of reducing multiple short-stories and novellas to a half-hour show.

A family gathered around their radio.
A family gathered around their radio.

So sit back and transport yourself to another era where radio was king.  Imagine sitting in the living room, the family crowded around the radio, listening in earnest to The Martian Chronicles.

Update, Sat Jun 3 17:58:46 UTC 2017:

As a consequence of the following videos, I’ve added a libertarian rant.  It cost me three of the regular tracks, as time was very tight.

Listen for Gun Control Kills.

Tales From SYL Ranch – 2017-03-12

Inspired by last week’s episode of X-Minus One, “The Green Hills Of Earth”, Tales From SYL Ranch goes full OTR (Old-Time Radio) this week.

Tales From SYL Ranch can be heard live Sundays, 20:00-22:00 UTC on // aNONradio.net //

I have four great episodes from two different shows queued-up.

While researching episodes, I uncovered a real X-Minus One treat!

OTR sound quality varies wildly. Sometimes a studio master survived long enough to be transferred to vinyl more-or-less intact. Sometimes the only thing that survived was a wire recording whose microphone was placed at the radio’s speaker — and then transferred to vinyl decades later.

They’re never in stereo. The concept didn’t exist when these shows were made.

However, when I decided on the episodes to use, I made sure to do a thorough Google search. Previously-lost episodes (or better quality ones) appear from time to time.

Then I was stunned. Someone released a number of episodes that have been lovingly (and probably manually) …

Stereo processed!

That’s right, both X-Minus One episodes are in glorious stereo for the first time, and it will knock your frakking space-boots off!

I had to include some Dragnet. Jack Webb was a straight-up radiophonic genius. He employed five foley artists, an unheard-of number at the time.

Where other shows might resort to narration to describe a fight, Dragnet rarely does. If it happens, it will be a line like, “Watch it, Joe!” followed by the unmistakable sound of an oil drum being pushed-down down a flight of stairs.

Webb’s foley artists could carry you through a fistfight without a line being uttered. You knew when Friday threw a punch. You knew when the antagonist threw a bottle at Friday or his partner. There’s never the slightest doubt in your mind what’s happening.

That’s true genius.

There is also Webb’s well-known obsession for technical accuracy. He had two Los Angeles detectives for technical advice, and of course the scripts were culled from real LAPD cases.

Jack Webb invented the police procedural in 1948 with his film, He Walked By Night .

Webb made the mold and every cop show since has been using it.

Just listen to the introduction:

Tell me you’re not hearing Law & Order, CSI, or any other cop show for the last 69 years.

That’s right: they’ve all been ripping-off Jack Webb for 69 years. Law and Order is shameless.

Moreover, these are great episodes. The sound quality isn’t up to the X-Minus Ones, but it hardly matters. Webb’s genius shines from the first minute when Friday steps into a phone booth.

The story is a two-parter. In Part 1 of “The Big Man,” Friday goes undercover for seven months as part of a narcotics investigation. Part 2 is another few months working the same case from a different angle.

Webb loved radio so much that he concurrently produced a Dragnet TV and radio show, with different weekly episodes on each.

“The Big Man” was ultimately adapted for television, but only the last minute or two survives. That’s because at the conclusion of the TV episode, Friday was promoted from Sergeant to Lieutenant.

That’s how good this episode is.

Did you know that Dragnet was a franchise? Concurrent with the TV and radio series, a 1954 Dragnet film was released in theaters. A novel, The Case Of the Courteous Killer, was published.

The book is very meta, inasmuch as the LAPD detectives Webb used for technical advice (Vance Brasher and Marty Wynn) are characters in the novel.

Years later, Webb remounted Dragnet for TV. He very shortly began spinning off other shows in the “Dragnet-verse.”

Adam-12 is probably the best-known, with Emergency! close on its heels. There was also The D.A., which starred Robert Conrad as district attorney Paul Ryan.

All four shows occasionally crossed-over. In one episode of Dragnet, Adam-12‘s Reed and Malloy are questioned by Friday and Gannon regarding a police brutality incident. In an episode of Adam-12, Paul Ryan is called to a crime scene to offer legal advice about possibly tainting evidence.

In one particularly noteworthy episode of Emergency! characters from that show, Adam-12, and The D.A. all pass each other in a hallway, each working a different aspect of the same case.

(And of course Malloy, the well-known ladies’ man of Adam-12, hits on Dixie McCall, the knockout head nurse of Emergency!)

All that began with what you’ll hear tomorrow in, “The Big Man.”

Listen to Tales From SYL Ranch Sunday from 20:00-22:00 UTC on// aNONradio.net //

(I don’t know what time that’s going to be wherever you are. Google it.)

Tales From SYL Ranch – 2017-03-05

An early document about filk songs.
An early document about filk songs.

On Sunday’s Tales From SYL Ranch, we bring you a generous collection of filk songs.

Wikipedia defines filk music as a musical culture, genre, and community tied to science fiction/fantasy fandom and a type of fan labor. The genre has been active since the early 1950s, and played primarily since the mid-1970s.

The Hitchhiker’s Guide to the Galaxy says that filk music is the greatest achievement in the history of lifekind.  It is creative, often amusing, and a balm for the soul.

I’ve filled the entire two hours, such that there isn’t any room for even introductions.

The tracklist is:

  • “Banned From Argo” by Leslie Fish and the Dehorn Crew.  This is from my private collection, from a 1977 LP.  The sound quality leaves everything to be desired.
  • “The Saga Begins Live” by “Weird Al” Yankovic
  • “PanGalactic Gargle Blaster Blues” by Diana Gallagher
  • “The Hero Of Canton” by Bandit Jack Potty
  • “The Chef They Call Jayne” by Tom Smith
  • “I’m On Firefly” by Tom Smith
  • “The Engineer’s Hymn” by Bill Boyd
  • “Where, Oh Where, Has C’Thulhu Gone” by Leslie Fish
  • “Bones’ Song” by Bill Mills
  • “Luke, Don’t Kiss Your Sister” by Captain Bran
  • “He’s Dead, Jim” by Julia Ecklar
  • “Waking Up Jedi” by Tom Smith
  • X-Minus One:  “The Green Hills Of Earth”
  • “Highly Illogical” by Leonard Nimoy
  • “The Tribble Is a Fuzzy Beast” by Leslie Fish
  • “The U.S.S. Make Shit Up” by Voltaire
  • “Lucy In The Sky With Diamonds” by William Shatner
  • “Dragoncon” by Leslie Fish
  • “Mister Anderson” – Tony Fabris
  • “The Ballad of Apollo 13” by Julia Ecklar
  • “What’s Up Spock?” by Luke Ski
  • “The Ballad Of Bilbo Baggins” by Leonard Nimoy
  • “Theme From Star Trek” by Nichelle Nichols
  • “Black Powder & Alcohol” by Leslie Fish
  • “Yoda Live” by “Weird Al” Yankovic

Be aware that due to the massive volume of filk songs, I’m only presenting a tiny fraction. I’ve come so close to filling two hours that I don’t even have time for introductions.